{"id":136,"date":"2019-12-18T14:48:44","date_gmt":"2019-12-18T14:48:44","guid":{"rendered":"http:\/\/czeremuszkin.com\/?page_id=136"},"modified":"2019-12-18T15:06:53","modified_gmt":"2019-12-18T15:06:53","slug":"statement","status":"publish","type":"page","link":"http:\/\/czeremuszkin.com\/?page_id=136","title":{"rendered":"STATEMENT"},"content":{"rendered":"\n<p>Painting is my main tool of describing the world, it serves its glorification or sometimes negation. Simultaneously, my actions constitute of a record of emotions and observations, often subconsious, expressive, and very intuitive ones. They oscillate around a person, his or her dependence on others, mutual influences, constraints, or manipulations. I am interested in life, energy, the body and all biological processes\u2026and fascinated by that which has its own anatomy, weight, scale, heat. In the step-by-step process of their transformation body images are deformed and deconstructed so they can be assembled anew. I strive for simplification of form.<\/p>\n\n\n\n<p>I reduce superfluous things in order to achieve more intensity and credibility in my message. My creation, despite being expressive and figurative, brushes against abstract organic forms. In art, I value freedom above all \u2013 my own and that of the recipient. I avoid overintellectualization, I don\u2019t pierce my art with a gibberish relay of socially or politically correct information. I also leave viewer with the freedom of interpretation. I don\u2019t try to be literal, I leave most things unanswered often by choosing a suggestive title \u2013 still enigmatic, but slightly directing the viewer to my train of thought. I use photographic material in my work. Usually they are photos found on the Internet or in the press, or stills from movies. Just the press itself is an unlimited arsenal of materials and ideas for collages on paper, which I use as sketches for my oil paintings. What also helps me in the process of creation is the ubiquitous chaos and crowd surrounding me. The hypodermic pulse of the metropolis having its own life, and at the same time the anonymity and alienation which accompany the city life, are my impulses for the artistic expression.<\/p>\n\n\n\n<p>\u201eI would like my pictures to look as if a human being had passed between them, like a snail, leaving a trail of the human presence and memory trace of past events, as the snail leaves its slime.\u201d Francis Bacon<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Malarstwo jest dla mnie g\u0142\u00f3wnym narz\u0119dziem opisywania \u015bwiata, s\u0142u\u017cy jego gloryfikacji lub czasami negacji. Jednocze\u015bnie moje dzia\u0142ania stanowi\u0105 zapis emocji i obserwacji, cz\u0119sto pod\u015bwiadomych, ekspresyjnych i bardzo intuicyjnych. Oscyluj\u0105 wok\u00f3\u0142 cz\u0142owieka, jego zale\u017cno\u015bci od innych, wzajemnych wp\u0142yw\u00f3w, presji czy manipulacji. Interesuje mnie \u017cycie, energia, cia\u0142o i wszelkie procesy biologiczne\u2026fascynuje za\u015b to co ma swoj\u0105 anatomi\u0119, wag\u0119, skal\u0119, ciep\u0142ot\u0119.<\/p>\n\n\n\n<p>Wizerunki cia\u0142a w stopniowym procesie ich przekszta\u0142cani s\u0105 przede mnie deformowane, dekonstruowane by zlepi\u0107 je na nowo. D\u0105\u017c\u0119 do upraszczania formy \u2013 sprowadzam posta\u0107 do znaku, redukuj\u0119 rzeczy zb\u0119dne, aby uzyska\u0107 wi\u0119ksz\u0105 si\u0142\u0119 i wiarygodno\u015b\u0107 przekazu. Moja tw\u00f3rczo\u015b\u0107 mimo \u017ce ekspresyjna i figuratywna, ociera si\u0119 o abstrakcyjne formy organiczne.<\/p>\n\n\n\n<p>W sztuce nade wszystko ceni\u0119 wolno\u015b\u0107 \u2013 zar\u00f3wno moj\u0105 jak i odbiorcy. Unikam przeintelektualizowania, nie szpikuj\u0119 mojej sztuki be\u0142kotliwym przekazem informacji, spo\u0142ecznie czy politycznie poprawnych. Pozostawiam tak\u017ce dowolno\u015b\u0107 interpretacji samemu widzowi. Nie staram si\u0119 o dos\u0142owno\u015b\u0107, wi\u0119kszo\u015b\u0107 rzeczy pozostawiam niedopowiedzianych, sugeruj\u0105c czasami tytu\u0142em \u2013 nadal enigmatycznym lecz nakierowuj\u0105cym lekko widza na m\u00f3j tor my\u015blenia.<\/p>\n\n\n\n<p>W swojej pracy wykorzystuj\u0119 materia\u0142 fotograficzny. Najcz\u0119\u015bciej s\u0105 to zdj\u0119cia wyszukane w internecie, znalezione w drukowanej prasie czy te\u017c kadry z film\u00f3w. Sama prasa i s\u0142owo drukowane to niewyczerpany arsena\u0142 materia\u0142\u00f3w i pomys\u0142\u00f3w na kola\u017ce na papierze, kt\u00f3re traktuj\u0119 jako szkice do obraz\u00f3w olejnych. W procesie tworzenia pomaga mi tak\u017ce wszechobecny chaos i t\u0142ok jaki mam wok\u00f3\u0142 siebie. Podsk\u00f3rny puls \u017cyj\u0105cej w\u0142asnym rytmem metropolii, a zarazem towarzysz\u0105ca \u017cyciu w mie\u015bcie anonimowo\u015b\u0107 i wyobcowanie to dla mnie impulsy do wypowiedzi artystycznej.\u201eChcia\u0142bym, \u017ceby moje obrazy wygl\u0105da\u0142y tak, jakby otar\u0142a si\u0119 o nie istota ludzka, [\u2026]pozostawiaj\u0105c \u015blad [swojej] obecno\u015bci i pami\u0119\u0107 minionych zdarze\u0144 tak, jak \u015blimak pozostawia za sob\u0105 \u015bluz\u201d. Francis Bacon&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Painting is my main tool of describing the world, it serves its glorification or sometimes negation. Simultaneously, my actions constitute of a record of emotions and observations, often subconsious, expressive, and very intuitive ones. They oscillate around a person, his or her dependence on others, mutual influences, constraints, or manipulations. I am interested in life, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"saved_in_kubio":false,"footnotes":""},"class_list":["post-136","page","type-page","status-publish","hentry"],"kubio_ai_page_context":{"short_desc":"","purpose":"general"},"_links":{"self":[{"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=\/wp\/v2\/pages\/136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=136"}],"version-history":[{"count":2,"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=\/wp\/v2\/pages\/136\/revisions"}],"predecessor-version":[{"id":166,"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=\/wp\/v2\/pages\/136\/revisions\/166"}],"wp:attachment":[{"href":"http:\/\/czeremuszkin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}